Trinity Outsourcing Solutions · Manila
A visual direction drawn from Manila street printing — riso colour, woven banig, hand-painted signage — and a mark built from the flag's own geometry. Everything here is a proposal, not finished artwork.
what's here
Start with the moodboard — it's the argument. Everything after it is that argument applied to something real.
The whole thing on one board: treated photography, the weave, the palette running live behind real text, and the four type voices. This is the piece to open with.
Open the board → 02 — the markSix steps from the Philippine flag to the finished mark, and the reasoning at each one — including why the sun and the three stars had to go.
See the build → 03 — appliedRecruitment posters, LinkedIn, merch on real products, stationery, and the rule that keeps it consistent: same brand, two temperatures — calm for clients, loud for candidates.
See it applied → 04 — handoverLogos, the weave as a tile, the ten colours, the four typefaces — as files, with the step-by-step for loading them into Canva so the team can make things without a designer.
Get the files →The moodboard, scrolled. Every screen is another board — pinned photographs, colour plates, mono chips, the weave showing through. Four directions were built; this is the one chosen, carried through to a complete page.
Open the homepage → 06 — the documentTwenty-one pages, A4 landscape: the moodboard, the mark and its rules, colour with values, type, the weave, and the applications. Built the way brand books are — essentials first, then logo, colour, type, art direction, applications. Download the PDF or read it in the browser.
Open the book → 07 — editableFour assets you can edit in the browser — drag anything, retype anything, swap the photo, then download a PNG at exactly the size LinkedIn wants.
Edit them →what the brand has to carry
Nothing in this rebrand invents proof. These are the only claims used anywhere across the work.
honest state of play
Alfa Slab One is the closest thing on Google Fonts to the painted lettering on the board. The board is hand-painted; this isn't. Drawing a real wordmark is part two.
Show it uncaptioned to ten Trinity staff in Manila and ask one question: what is it? Whether the banig and the flag geometry actually read is not something I can settle from here.
The people shots are placeholders with the house finish applied. Real Trinity staff, real Manila, no stock — that's the highest-value thing to commission next.
The six pieces are production drawings, built to millimetres — they go to a printer as they are. Nothing has been printed yet, and the first sample run is what settles ink density on dark cloth.